For pioneering subject fabrication novelist Octavia E. Butler, penning was much than a profession. It was a shape of survival, guidance and reflection. In “Positive Obsession: The Life and Times of Octavia E. Butler,” writer and assemblage professor Susana M. Morris shares nan quiet yet extremist communicative of Butler’s life, revealing really nan worlds she imagined were shaped by nan 1 that often unopen her out.
Going from a awkward Black girl, calved successful 1947 and raised nether Jim Crow, to a literate icon, Butler’s way to occurrence was not linear. She was told not to dream but to get a “real” job. As she juggled temp jobs, financial worry and a nine that resisted making room for her, Butler wrote genre-defining lit that has been adapted for TV and movie successful caller years, and has continued to spell viral astir 2 decades aft her decease successful 2006 astatine 58.
“Positive Obsession,” named for a 1989 effort by Butler, pulls from journals, interviews and individual letters successful Butler’s nationalist archives to illuminate nan forces that shaped her, revealing an eager and meticulous writer.

For astir of her career, Butler woke up earlier dawn to constitute for hours up of what she erstwhile called “lots of horrible small jobs.” As she toiled successful factories and warehouses, washing dishes, inspecting murphy chips and making telemarketing calls, Butler conjured characters from her mundane encounters.
Morris told NBC that successful sharing Butler’s communicative now, 19 years aft her death, she hopes to animate artists who don’t deliberation they tin spend to create to find nan time.
“In this economical strategy that we’re presently in, we are truthful crunched down trying to bargain eggs aliases salary nan rent,” Morris said “sometimes we don’t moreover consciousness for illustration we tin entree creation for art’s sake. But done each nan tests and tribulations, she was accessing it.”
Butler’s journals show really penning was her measurement of pushing backmost against racism, patriarchy and different norms that disappointment her and made her consciousness overlooked arsenic a imaginative personification and a nationalist intellectual. She wrote because “she had to,” Morris writes. She put pen to insubstantial to make consciousness of nan world and speak backmost to it.
Beyond penning novels, Butler yet became known for her nonstop and evocative engagement pinch readers, whom she pushed to deliberation profoundly astir nan world astir them. She analyzed real-world dynamics and extrapolated them into prescient and cautionary fiction. She wrote stories that look to person go only much celebrated arsenic clip has passed. Her caller “Kindred” was reimagined into a TV bid successful 2022, and authors John Jennings and Damian Duffy won a Hugo Award successful 2021 for their schematic caller reimagining of her book “Parable of nan Sower.”

On societal media, nan “#OctaviaKnew” inclination captures nan ominous ways her words resonate successful nan coming connected issues for illustration ambiance change, inequality and politics. Her ability, decades ago, to conjure really we unrecorded now gives Morris’ students a emotion of relationship to Butler’s activity today.
In “Parable of nan Talents,” published successful 1998 and group successful nan 2020s, Butler introduces a blimpish statesmanlike campaigner who urges voters to subordinate him successful a task to “make America awesome again.” The words connected nan page reverberated done Morris’ schoolroom arsenic she taught nan book during Trump’s first presidency. It’s why galore readers deliberation Butler’s activity was astir prophetic. “Psychic? Maybe not,” Morris says. “Prescient? Absolutely.”
Morris uses nan 1987 short communicative “The Evening and nan Morning and nan Night” — astir a organization grappling pinch a fictional familial upset — to talk to students astir nan marginalization of group pinch disabilities.
Butler’s 1984 short communicative “Bloodchild” pushes readers to rethink gender, reproduction and family. “We’re surviving successful a infinitesimal that demonizes transness,” Morris said. “But successful ‘Bloodchild,’ men transportation nan babies. It complicates our thought of what bodies are expected to do.”
Butler’s fabrication ne'er floated distant from reality. It confronted it. And it continues to make readers mobility what they thought they understood. Though often shelved arsenic subject fiction, Morris says Butler’s activity transcends nan label, and she alternatively classifies it arsenic “speculative fiction.”
Morris’ immersive image tin astatine times consciousness for illustration reference Butler’s diary aliases listening to nan innermost thoughts of a quiet and sometimes lonely person.
“She lived a life of nan mind,” Morris said. Out of that life came activity shaped by discipline, imagination and a benignant of beautiful obsession — 1 that Morris hopes others mightiness reflector successful their ain lives.
“I dream that successful this world that is often devoid of beauty,” Morris said, “that different folks tin spot her illustration and find nan beauty successful their ain benignant of practice.”
Samantha Brown
Samantha Brown is simply a video shaper and journalist covering wide news and politics.