In Éanna Mac Cana’s probing documentary, 2 lives are entwined pinch fascinating results. The seeds for nan movie were first planted erstwhile Mac Cana was diagnosed pinch Burkitt’s lymphoma, a uncommon and fierce cancer; his diaristic videos seizure nan loneliness of his treatment, spent wrong nan cold, yellowish walls of infirmary rooms. Through nan lens of his integer camera, he occasionally takes successful nan distant, blurry show of building blocks, aliases his mother cycling to nan clinic. The world extracurricular appears impenetrable; each nan while, nan movie reaches beyond what nan eyes tin see.
Then, turning to nan past, Mac Cana juxtaposes his lived acquisition of unwellness pinch nan life communicative of Denis Burkitt, nan trailblazing Irish surgeon aft whom Mac Cana’s information was named. From archival materials arsenic good arsenic interviews pinch experts and Burkitt’s family, Mac Cana charts nan trajectory of nan scientist’s profession successful Africa. Cartography is, successful fact, cardinal to Burkitt’s investigation into nan disease: for illustration his father, a keen amateur ornithologist who documented vertebrate migration, Burkitt traced nan geographical distribution of nan then-unknown paediatric crab successful nan continent.
Mac Cana’s stylistic choices go different shape of mapping, pinch Burkitt’s charts and drawings occasionally laid complete nan film-maker’s ain images. The effect resembles a ocular character branch, 1 that connects nan past and nan present, nan technological and nan personal. Burkitt’s colossal archive of photographs makes for different link, moreover if nan scientist’s assemblage regard gets not overmuch much than a mention. Still, this is acold from a activity of hagiography: by highlighting immoderate of nan much melancholic chapters of Burkitt’s backstage life, Mac Cana lends a quality constituent to nan bequest of a pioneer.